Over the years, Steven dedicated himself to crafting and perfecting intricate tales that resonate with the child-like wonder within us, aiming to influence and embody the virtues of a true superhero for those in need. This passion led him to establish SOUND COMICS as a platform to champion these stories close to his heart.

In addition to tirelessly bringing his narratives to life, Steven has amassed valuable experience across various fields such as Film, TV, Screenwriting, Narrative Design, and Studio Production. His efforts were driven by the singular goal of laying a solid foundation for exceptional storytelling, ensuring the proper capture of the essence of his intellectual properties.

His vision extends beyond mere storytelling; Steven aspires to create a company that not only delivers compelling narratives but also recaptures the nostalgic joy of yesteryear when comics were enjoyable for everyone, invoking the inner child in each reader. Simultaneously, he seeks to push the boundaries, inviting readers to explore the intriguing realms lying behind closed doors, opening minds to a myriad of possibilities—from the eerie to the wonderfully impossible.

Sean's dedication to the worlds of Film and TV spans many years, during which he has immersed himself in various aspects of production and even established his own specialized studio. His hands-on experience reflects his profound commitment to the industry.

Navigating the intricacies of film and television production demands exceptional multitasking skills, financial acumen, and a genuine passion for the craft. Sean's ability to excel in these areas has already proven invaluable, and his contributions are set to further enhance our company's standing, particularly as we delve into intellectual property generation, as we are poised to do with Sound Comics. It is a transition that only seems even more welcoming of his talents as he forges us ahead in our operations.

As you will come to find with M. R. is that he is a man with many names (and personalities to match) but that is to be expect when you’re blessed (or cursed, depending on who you ask) with a creative mind that never shuts off. His “real” name is Michael Johnson, but he often writes professionally as M. R. Klass, a name he chose to honor his late father-in-law, Golden Era science fiction satirist, William Tenn (aka Philip Klass who also taught creative writing at Penn State for over forty years, hence why Michael chose “M. R.”). Under the direction of the CCO, it was decided to hyphenate his birth last name with his chosen one. And as Mike will tell you, “My name is the biggest one on the header.”

For over thirty years he has been writing professionally in all manners of the industry. Some for fun, some strictly for the paycheck, but then others for the passion for the work which is what brought him to Sound Comics.

Over the years he has optioned multiple feature length screenplays, sold a short that was produced, worked for a Disney property as a “punch-up” writer, edited and reviewed screenplays for Francis Ford Coppola’s “Zoetrope Studios,” wrote scripts for UPN’s Voyager and AMC’s The Walking Dead, published one novel and sold another to the European market, currently writes as feature’s editor for HorrorNews, the second largest horror news website in the world, and, just for fun, likes to build LEGO creations he makes up himself.

Between all of this work he managed, at 42 years old, to not only attend Full Sail University but graduate with his BFA in Creative Writing as Valedictorian where he also earned several other distinguished awards and was able to learn about comic writing under Malibu’s legendary Editor-in-Chief, Roland Mann.

The job as Editor-in-Chief is one he takes with the utmost seriousness (usually) and drives the narrative design of every title to ensure they remain strong and full of character; robust and unyielding.